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<title>The Typography of Neglect</title>
<link>http://www.samizdat.cc/type/</link>
<description></description>
<copyright>Copyright 2006</copyright>
<lastBuildDate>Mon, 22 Nov 2004 13:34:38 -0500</lastBuildDate>
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<item>
<title>Celco</title>
<description> The nameplate on an apparently disused CELCO substation at the intersection of hampshire and broadway. It&apos;s difficult at first to focus on the text itself since the effect of the selectively-peeling paint is so beautiful. The colors must have...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/celco_1.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/celco_1.html</guid>
<category></category>
<pubDate>Wed, 10 Nov 2004 22:44:58 -0500</pubDate>
</item>
<item>
<title>Stencil Church</title>
<description> A church on hampshire ave between kendall and inman squares. The contradictions in this sign are staggering on so many levels it&apos;s hard to know where to start. The most dramatic is the idea of using a stencil and...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/stencil_church.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/stencil_church.html</guid>
<category></category>
<pubDate>Wed, 10 Nov 2004 22:51:15 -0500</pubDate>
</item>
<item>
<title>Academy of Arts &amp; Sciences</title>
<description> The mysteriously under-defined American Academy of Arts and Sciences on Beacon between Porter and Inman squares. This hand-painted sign has some beautifully restrained and unique letterforms with serifs so subtle as to make classifying it as a non-sans difficult...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/academy_of_arts_1.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/academy_of_arts_1.html</guid>
<category></category>
<pubDate>Thu, 11 Nov 2004 00:01:19 -0500</pubDate>
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<item>
<title>The Orford</title>
<description> An erstwhile hotel (now apartments) on Oxford street just south of the Somerville/Cambridge border. The typeface in this case isn&apos;t tremendously unique, aside from its being implemented in stained glass. The diagonal through the capital O is an unexpected...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/the_oxford.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/the_oxford.html</guid>
<category></category>
<pubDate>Thu, 11 Nov 2004 00:07:38 -0500</pubDate>
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<item>
<title>John Murio&apos;s</title>
<description> One of the many `markets&apos; (more commonly referred to as liquor stores) dotting haight street in san francisco. Unlike most of the earlier examples, the appeal of this sign doesn&apos;t relate directly to the typefaces used, since neither the...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/john_murios_1.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/john_murios_1.html</guid>
<category></category>
<pubDate>Sat, 13 Nov 2004 18:49:34 -0500</pubDate>
</item>
<item>
<title>Frank&apos;s</title>
<description> Another SF liquor store (this one a little more honest about its true identity). This sign is full of weird details that don&apos;t entirely mesh with one another. For one there&apos;s a little indecisiveness over whether the font wants...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/franks.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/franks.html</guid>
<category></category>
<pubDate>Sat, 13 Nov 2004 18:51:34 -0500</pubDate>
</item>
<item>
<title>Rexall</title>
<description> A pharmacy on telegraph ave in berkeley with a fabulous heavy script face and a saturated orange backdrop combining for a strongly retro feel. It&apos;s always seemed a little ironic for huge, industrial signs to be aping the look...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/rexall.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/rexall.html</guid>
<category></category>
<pubDate>Sat, 13 Nov 2004 18:52:33 -0500</pubDate>
</item>
<item>
<title>Launderland</title>
<description> A laundromat in a san diego suburb. There&apos;s not too much to this sign necessarily. It&apos;s pretty clearly just a stock font on a mass-produced sign. But its use here is highly effective, and the font itself is interesting....</description>
<link>http://www.samizdat.cc/type/archives/2004/11/launderland.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/launderland.html</guid>
<category></category>
<pubDate>Sat, 13 Nov 2004 19:29:03 -0500</pubDate>
</item>
<item>
<title>The Gables</title>
<description> An apartment building in the knob hill section of san francisco. It&apos;s encouraging to see that hand lettering is not dead. Better still that it&apos;s lettering that looks torn out of an Edward Gorey cartoon. Particularly nice touches include...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/the_gables.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/the_gables.html</guid>
<category></category>
<pubDate>Sat, 13 Nov 2004 19:39:56 -0500</pubDate>
</item>
<item>
<title>Sidewalk (iv)</title>
<description> In front of a house on cottage ave west of porter square....</description>
<link>http://www.samizdat.cc/type/archives/2004/11/sidewalk_iv.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/sidewalk_iv.html</guid>
<category></category>
<pubDate>Sun, 14 Nov 2004 15:11:49 -0500</pubDate>
</item>
<item>
<title>Dole Publishing</title>
<description> More strange mixtures of fraktur and inappropriate, modern type on the front of this defunct publishing house at the beginning of summer street in davis square. There&apos;s something kind of charming about putting a ridiculously ornate capital on the...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/dole_publishing.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/dole_publishing.html</guid>
<category></category>
<pubDate>Sun, 14 Nov 2004 15:33:19 -0500</pubDate>
</item>
<item>
<title>Submarines</title>
<description> A sign announcing some of the offerings of the Y-Not Variety market on Willow ave connecting davis and ball squares. So clearly this one caught my eye more due to the decay aspect rather than because the typeface itself...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/submarines.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/submarines.html</guid>
<category></category>
<pubDate>Sun, 14 Nov 2004 15:38:50 -0500</pubDate>
</item>
<item>
<title>DeLux</title>
<description> A tiny restaurant in the south end. After waiting an hour for a table there once, we were then informed that they were out of the ingredients for about 50% of the menu.... All the same, the place&apos;s identity...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/delux.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/delux.html</guid>
<category></category>
<pubDate>Mon, 22 Nov 2004 13:18:57 -0500</pubDate>
</item>
<item>
<title>Teddy Shoe</title>
<description> A shoe store on mass ave in central square. The appeal here is somewhat similar to the John Murio&apos;s sign: an already retro design made even older and more colorful by the askew and blasted state of its neon...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/teddy_shoes.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/teddy_shoes.html</guid>
<category></category>
<pubDate>Mon, 22 Nov 2004 13:21:43 -0500</pubDate>
</item>
<item>
<title>Kaplan Furniture</title>
<description> A victorian sweatshop-style building off mass ave in the area between central and kendall where MIT stops and the warehouse district begins. They clearly had a major design problem to solve given the length of the company name and...</description>
<link>http://www.samizdat.cc/type/archives/2004/11/kaplan_furnitur.html</link>
<guid>http://www.samizdat.cc/type/archives/2004/11/kaplan_furnitur.html</guid>
<category></category>
<pubDate>Mon, 22 Nov 2004 13:34:38 -0500</pubDate>
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